Sally Struthers Feared Her Career Had Ended After ‘All in the Family’: ‘I Desperately Wanted to Work’

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It’s difficult to believe that an actor or actress could be cast in one of the most iconic television shows of the 1970s, yet find it difficult to find work in the years following their departure from it. But that’s exactly what happened with Sally Struthers, who had portrayed Gloria Stivic — Archie and Edith Bunker’s little girl and Mike “Meathead” Stivics’ wife — on All in the Family.

In the late 1960s and early 1970s, Sally had carved out an impressive name for herself by giving strong performances in relatively small roles on the big screen, acting opposite Jack Nicholson in Five Easy Pieces (1970) and Steve McQueen in The Getaway (1972). Yet on television she was providing the voice for Pebbles Flintstone on the Saturday morning cartoon The Pebbles and Bamm-Bamm Show (1971 to 1972), after having previously worked as a performer in 1970 on The Smothers Brothers Comedy Hour and The Tim Conway Comedy Hour. It was on those that she came to the attention of Norman Lear when he was casting All in the Family.

RELATED: Adrienne Barbeau: 50 Years of Her Beautiful Life from 1970 to 2020

ALL IN THE FAMILY, 1971-83, Sally Struthers, Rob Reiner, Carroll O’Connor, Jean Stapleton

In an interview with Newsday, she recounted how she was hired: “I had just gotten let go from The Tim Conway Comedy Hour because the suits in New York said that I made the show look cheap,” Sally explained. “And the producer said, ‘That’s the whole point, we’re trying to make it look like the Conway show doesn’t have a budget, has no money, so that’s why there’s only one Tim Conway dancer instead of a line of them like the June Taylor Dancers on The Jackie Gleason Show. And there’s only one musician and they can’t afford an instrument for him, so he’s standing at a music stand humming the opening theme song.’ That’s funny! And the Suit said, ‘No, it makes the show look cheap.’ So they let me, the Tim Conway dancer, go. And if they hadn’t done that, I wouldn’t have been free to read for All in the Family.”

What happened to Sally Struthers?

Sally Struthers, 1972, ph: Ed Pfizenmaier/TV Guide/Courtesy Everett Collection

From 1971 to 1979, All in the Family broke many of the conventions that had restrained the television industry from almost the beginning and dealt with a variety of issues that had previously been considered taboo — not the least of which was the fact that a bigot, in the form of Carroll O’Connor’s Archie Bunker, was at the center of the show. For his part, Norman Lear instinctively knew the television audience was ready to be challenged and he was right.

ALL IN THE FAMILY, 1971-83, Jean Stapleton, Sally Struthers

All of the characters, from Archie to Jean Stapleton’s Edith and, of course, Mike (Rob Reiner) and Gloria, were on one hell of a journey. In some ways, though, it was Gloria who went through the greatest evolution. When we met her, she was a curly-haired young woman taking baby steps into the world of women’s lib, and by the time she and Mike left the show just prior to the last season (and All in the Family’s transformation into Archie Bunker’s Place), she was an independent woman standing up for herself and demanding equality.

Why did Sally Struthers leave ‘All in the Family?’

ALL IN THE FAMILY, Carroll O’Connor, Sally Struthers, 1971-79

Overall, it was an amazing example of growth, earning Sally a pair of Emmy Awards for her portrayal of Gloria in 1972 and 1979. During the run of the show — which she and Rob Reiner left to pursue new projects — she appeared in a number of successful TV movies, including The Great Houdini (1976), Intimate Stranger (1977) and My Husband is Missing (1978). But things began slowing down after that. She reprised the role of Gloria in a two-part episode of Archie Bunker’s Place with Mike apparently having left her for one of his students. From there she starred in the spin-off series Gloria opposite Burgess Meredith, which only ran from 1982 to 1983. She kept acting, guest-starring, providing her voice to animated characters, and having a starring role in the latter part of the TV version of 9 to 5 (1986 to 1988). But she recognized that things were changing and work — substantial work — was getting harder to come by.

THE ODD COUPLE, from left: Rita Moreno, Sally Struthers, Ahmanson Theater, 1985

It’s the reason that she jumped at the opportunity to star as Florence Unger in Neil Simon’s distaff version of his most popular work, The Odd Couple. She did so on Broadway, with Rita Moreno (later Brenda Vaccarro) as Olive Madison. When she was asked by a television reporter why she had been attracted to the part, her answer was simple and direct: “It was work.”

THE ODD COUPLE, from left: Sally Struthers, Brenda Vaccaro, 1985-1986

She let this sink in for a moment before continuing, “I wanted to do The Odd Couple because it was the first work that had been offered to me in a year and a half. And I needed and wanted to work so desperately as an artist and as a homeowner with financial responsibilities, that when it was offered to me, I jumped at the chance, even though it was an offer that came with a lot of setbacks for me emotionally. Going on the road was not something I was looking forward to doing; being separated from my family and my friends and my pets and living in New York. If the play was a hit, it wasn’t something that I was really looking forward to, but it was employment and I had to do it.”

How old is Sally Struthers now?

GILMORE GIRLS: A YEAR IN THE LIFE, seated l-r: Liz Torres, Sally Struthers, standing second from right: Alexis Bledel, standing right: Lauren Graham in ‘Summer’, (Season 1, Episode 3, aired November 25, 2016). ph: Saeed Adyani/©Netflix/courtesy Everett Collection

The natural follow-up question was how it could be that she couldn’t find work. After all, she had been on All in the Family! “I don’t know,” Sally, who is now 73, replied matter of factly. “It’s the strangest phenomenon to be at the top of the mountain and the next day to be at the bottom, but somehow you didn’t feel the fall.”

GLORIA, Lou Richards, Sally Struthers, Christian Jacobs, Burgess Meredith, Jo de Winter, 1982-83, © CBS / Courtesy: Everett Collection

In what seems to have been a temporary slump, Sally would go on to appear in 52 episodes of Gilmore Girls as Babette Dell and on different shows. Where she really seems to have found a home has been on the stage, appearing in about 30 shows over the past 20 years, most recently in Mame, Irving Berlin’s White Christmas the Musical, and the stage adaptation of Grumpy Old Men.

But where Sally seems to have found true happiness is in her efforts for ChildFun (previously the Christian Children’s Fund), which advocates on behalf of impoverished children in developing countries. One has to imagine that’s got to be more fun than listening to Archie Bunker bellow … right?

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The post Sally Struthers Feared Her Career Had Ended After ‘All in the Family’: ‘I Desperately Wanted to Work’ appeared first on DoYouRemember? – The Home of Nostalgia. Author, Ed Gross

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Why Aluminum Christmas Trees Were So Popular In 1950s America

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If you think about a tacky and sad-looking Christmas tree, chances are you’ll imagine the Charlie Brown Christmas tree. However, back in the day, aluminum Christmas trees were super popular, even though they’ve definitely become dated and even tacky today.

The publication Jezebel recently interviewed Sarah Archer, author of design history Midcentury Christmas, and they chatted about the history of these aluminum trees and just why they were so popular in 1950s America.

Why were aluminum Christmas trees so popular in the ’50s?

Why Aluminum Christmas Trees Were So Popular In 1950s America
Aluminum Christmas tree / Wikimedia Commons

“Fake trees generally actually go pretty far back. What happens in the ‘50s, which is when they really burst onto the scene, aluminum’s abundance was really a byproduct of the war effort. Many of those materials were used or really ramped up—or even invented—for wartime applications. So the aluminum industrial complex, as it were, after the war was like okay, we’re ready,” Sarah says.

RELATED: Do You Remember When MTV Reunited The Monkees For A Christmas Medley In 1986?

She continues, “Alcoa was the biggest manufacturer of aluminum for the war effort and for aluminum products throughout different parts of the 20th century, but they didn’t actually make trees, although the Alcoa brand was used a lot to promote them. Most of them came from this place called the Aluminum Specialty Company, in Manitowac, Wisconsin, and they started to get really popular and they would say, “made with real Alcoa Aluminum.””

It became ‘cool’ to own retro and vintage items later on

Why Aluminum Christmas Trees Were So Popular In 1950s America
Vintage Ad for Reynolds Aluminum Christmas Tree / Courtesy of Reynolds Aluminum

Later on, she states, “There was this real effort to glamorize these. You’ll see lots of household ads from the ’50s and ’60s that show an ultra-glam housewife with an aluminum tree and a set of aluminum tumblers and a toaster and a coffeemaker. This was the wonder material of this time period. As far back as the ‘30s it was referred to as poor man’s silver. It was this cheap workaround to look refined and glam at a time when nobody could afford actual silver.”

So, they were popular and modern-looking for the time period; they had this Space Age-y look to them that faded just as fast as they popularized. By the ’70s, they faded out of Christmas style, but soon made a slight comeback through the ’80s and ’90s as people found them to be ‘retro’ and ‘cool’ again. It was starting to become ‘cool’ to own vintage things, and that trend has continued long into the 2000s as well.

Representation in popular culture

Why Aluminum Christmas Trees Were So Popular In 1950s America
Aluminum Christmas trees in ‘A Charlie Brown Christmas’ / CBS

Sarah also mentions A Charlie Brown Christmas, noting that if you pay close enough attention, you may see all of those aluminum Christmas trees in the background as Charlie Brown goes to search for a tree. The special was released in 1965, so it’s interesting to see how the popularity of aluminum Christmas trees in that time period was represented in popular culture.

“The main plot point is the Christmas musical, but then there’s this sidebar about the tiny sad Christmas tree that is collapsing under the weight of a single ornament, which is the tree that he chooses. And it’s in contrast to this shiny pink metal tree that Lucy thinks is the greatest thing since sliced bread,” Sarah notes.

Did you or your family ever own an aluminum Christmas tree? Do you still own one for the sake of nostalgia?

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The post Why Aluminum Christmas Trees Were So Popular In 1950s America appeared first on DoYouRemember? – The Home of Nostalgia. Author, Jane Kenney

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Priscilla Presley Wasn’t Caught Without Makeup Around Elvis

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Priscilla Presley admitted in her memoir that ex-husband Elvis Presley never saw her without makeup. Elvis was very clear that he wanted Priscilla to be presentable at all times. So much so, that she always had her hair done and makeup on.

Not only that, Priscilla admits that Elvis really molded her. He taught her to act a certain way, gave her clothes to wear, and even told her to walk a certain way! Priscilla now says that she believes Elvis thought of her as a doll and could dress her any way he wanted.

Priscilla always wore makeup around Elvis

Newlyweds PRISCILLA PRESLEY and ELVIS PRESLEY get pelted with rice, 1967 / Everett Collection

If she didn’t wear the right clothes or makeup or wanted to cut her hair, Elvis got mad. According to her memoir, he said to her, “You need to apply more makeup around your eyes. Make them stand out more. They’re too plain naturally. I like a lot of makeup. It defines your features.”

RELATED: These 8 Pictures Show How Elvis And Priscilla Presley Were Truly The ‘Best Friend’ Couple

She continued, “He taught me everything. How to dress, how to walk, how to apply makeup and wear my hair, how to behave, how to return love-his way. Over the years, he became my father, husband, and very nearly God.”

Newlyweds ELVIS PRESLEY and PRISCILLA PRESLEY toast each other after the ceremony, 1967 / Everett Collection

They divorced not because she didn’t love him, but because she got sick of the rules. Priscilla wanted to be her own person and grow up in her own way. She realized how much she lost herself. She admitted, “I did not divorce him because I didn’t love him. He was the love of my life, but I had to find out about the world.”

It really gives you a different side of Elvis! In conclusion, listen to Priscilla talk about how much Elvis controlled her in this interview:

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The post Priscilla Presley Wasn’t Caught Without Makeup Around Elvis appeared first on DoYouRemember? – The Home of Nostalgia. Author, Lauren Novak

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Pat Benatar Then and Now: 40 Years of Her Rocking Life from 1980 to 2020

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There was no question that Patricia Mae Andrzejewski was going to pursue her dream of a life in music. Well, after four Grammy Awards, a dozen albums, nearly four times as many singles, and decades of touring, one would have to say that Patricia — more popularly known as Pat Benatar — had fulfilled that dream and then some.

“I didn’t set out to be a solo artist,” she writes in her autobiography, Between a Heart and a Rock Place. “My dream was to be the singer in a rockin’ band, like Robert Plant was to Led Zeppelin or Lou Gramm to Foreigner. I wanted a partnership, like Mick Jagger and Keith Richards had — an unrelenting back-and-forth between talented musicians. The sound I heard in my head was raucous, with hard-driving guitars speeding everything forward. I was a classically trained singer with a great deal of musical knowledge, but I had no idea how to make that visceral, intense sound happen. I had to evolve.”

RELATED: 7 Fascinating Things You Probably Never Knew About ’80s Pop Star Pat Benatar


Benatar also had to believe in her own dream. In a discussion with Ernie Manouse of InnerVIEWS, she explains that while she was studying so that she could go to Julliard, she began to panic. “Just because everyone says I’m a really great singer for a kid and all that, why would that translate into the big pond?” she asks rhetorically. “So I think at that point I thought I would be more practical and would go to college and teach school. Which is ridiculous. My kids go, ‘Mom, you would be the worst teacher.’ I have no patience whatsoever. But [music was] in there and it’s like breathing. I can’t imagine not doing it ever.”


PAT BENATAR, portrait c. 1982

One point she made in the interview is that the doubts she expressed had nothing to do with insecurity. “It was never, ‘Oh, I don’t think I’m good enough,’” she laughs. “I thought I was absolutely good enough. I just thought the probability of it happening was just numerically ridiculous. It just didn’t make any sense that out of all the people that were trying — and there were so many people that were really great — the question is, ‘Why?’ … It’s not being immodest. It’s just that I’m an implementer. That’s my real gift that I have. It’s not so much that I think I have great talent, but I really know how to put one foot in front of the other.”


Doing so began on January 10, 1953, when she was born in Brooklyn, New York to a mother and father who were, respectively, a beautician and a sheet-metal worker. The family would move to Lindenhurst, New York (located in Suffolk County on Long Island). At the age of eight, having discovered a passion for theater and music, she began taking voice lessons and performed her first solo at Daniel Street Elementary School. Needless to say, she was hooked. Musical theater became an important part of her time at Lindenhurst Senior High School, one notable credit being as Queen Guinevere in the school production of the musical Camelot.

Bank Teller by Day, Singer by Night

Fort Lauderdale, FL: Pat Benatar performing at Revolution; Digital Photo by JR

As noted above, she was thinking of attending Juilliard, but ultimately decided to study health education at Stony Brook University. Not surprisingly, that didn’t take. She dropped out and married high school boyfriend Dennis Benatar, who was part of the U.S. Army. In 1973 they ended up in Virginia, where Benatar spent her days working as a bank teller. She’d quit that job, though, so that she could spend her time in pursuit of a singing career and found a gig with a lounge band named Coxon’s Army. Things really started to heat up for them, when Pat, whose marriage to Dennis would end in divorce at the end of the decade, decided in 1975 that she wanted to head to New York to improve her odds.

Fort Lauderdale, FL: Pat Benatar performing at Revolution; Digital Photo by JR

She actually continues the story on her official website, nothing that one night in 1975 she “decided to try open mic night at Catch a Rising Star. She was 27th in line to go on and didn’t hit the stage until 2:00 a.m. Benatar’s rendition of Judy Garland’s ‘Rock a Bye Your Baby with a Dixie Melody’ sent the crowd reeling. Hearing the room explode, the owner of the club, Rick Newman, rushed in to see who could possibly be commanding such a response from the room. He watched the rest of the performance, and when the band was finished, Newman approached Benatar and demanded, ‘Who are you?’ Thus began their relationship as manager and artist; a working relationship which would continue for nearly 15 years.”

Lady in Spandex

Pat Benatar, portrait c. 1983

As if she didn’t have enough going on, in 1976 Benatar also did some acting, playing the role of Zephyr in Harry Chapin’s futuristic off-Broadway rock musical The Zinger. Flash forward to Halloween 1977 when she’d dressed up as a character from the sci-fi cult flick Cat Women of the Moon and went with some friends to Café Figaro in Greenwich Village. She decided to enter the club’s costume contest and won. Then the group stopped by Catch a Rising Star, where she ended up performing in part of the costume — which garnered a standing ovation. Coming to the realization that Pat Benatar wearing spandex was a winning combination, she did the same thing again the following night and received a similar reaction. “As the nights went by,” the site continues, “the outfits were tweaked a bit, the spandex was modified and the signature look that everyone came to know was born.”


Things continued to progress in 1978 when she was not only performing but recording jingles for Pepsi Cola as well. Then, headlining at New York City’s Tramps nightclub, she was seen and signed to a recording contract by Terry Ellis of Chrysalis records. Producer and writer Mike Chapman introduced her to up and coming guitarist Neil Giraldo and they ended up working together perfectly. First as musicians and then as husband and wife, the two of them ultimately getting married in 1982 and still together to this day, the parents of two children.

A Quick Discography


Benatar’s first album — In the Heat of the Night — was recorded and released, paving the way for followups Crimes of Passion (1980), Precious Time (1981), Get Nervous (1982), Live from Earth (1983), Tropico (1984), Seven the Hard Way (1985), Wide Awake in Dreamland (1988), True Love (1991), Gravity’s Rainbow (1993), Innamorata (1997) and Go (2003). From those albums came hit singles like “Heartbreaker,” “Hit Me with Your Best Shot,” “Fire and Ice,” “Shadows of the Night,” “Love is a Battlefield,” “We Belong,” “Invincible,” “Sex as a Weapon” and others, most recently 2017’s “Dancing Through the Wreckage.”


In between, there was a hell of a lot of tours. Her first one took place between 1979 and 1980 to promote In the Heat of the Night and Crimes of Passion, and they continued pretty steadily through the 1980s and 1990s. Oftentimes Benatar and company appeared with other artists like Hall and Oates,  Fleetwood Mack, REO Speedwagon, the Steve Miller Band, Loverboy, Journey, Cher, Rick Springfield, Cheap Trick, John Waite, and Melissa Etheridge. In 2019 she went on the road with the 40th Anniversary Tour — all those years later and still rocking.

Timing is Everything

Pat Benatar at the VH1 Divas Duets concert held in The Grand Theatre at the MGM Grand.
(NV); Photo by: Tom Lau/Loud & Clear Media/STAR MAX Inc.

As far as Benatar is concerned, her success was in no small way due to the timing of her arrival on the scene. “You have to remember where the country was at this point,” she stated to InnerVIEWS. “This was 1978, ’79, 1980. The women’s movement was in full force. We were the daughters. We were the first generation of young women who grew up indoctrinated. Now we were adult women. We were going to put this into practice. This was not on paper anymore. In my house, where I grew up, my father worked two jobs, sometimes three jobs. When he came home from work, he ate his supper, we watched a little TV together, we did our prayers. That was it. The man worked. He didn’t do a lot of stuff around the house. All I ever remember is my mother and grandmother painting the house, rolling along, doing all that kind of stuff.

Pat Benatar, portrait, c. 1985

“So in my world,” she adds, “there was no way that women were not the same as far as I was concerned. And possibly superior as far as I was concerned. So that’s how I went into the world. I remember the first couple of times when people looked at me like I had two heads when I told them what I wanted to do. They would say things like, ‘Women can’t sell out Madison Square Garden and can’t be on the road.’ … It never occurred to me that it couldn’t be done, which was great, because I was so naïve — when you’re blind, you have no fear.”

Pat Benatar and Neil Giraldo at “FOX & FRIENDS” All American Concert Series. (NYC); Photo by: Dennis Van Tine/

Now, a little over 40 years from the time she began pursuing the dream, she can look back at a lifetime of both success and failures, with two great kids and a rock and roll marriage that has stood the test of time like few have. And she remains philosophical about it all.


“I’ve nothing left to prove, which is probably the most liberating feeling in the world,” Benatar writes in her memoir. “I’m not holding on for dear life, trying to recapture some fleeting movement that’s long since evaporated … I have been a singer, a lover, a businesswoman, a daughter, a friend, a wife, a mother, and, yes, sometimes even a rock star. In my journey, I tried my best to honor all of these things. In the end, I suppose that’s all that’s really required … I am exactly where I want to be.”

Life, like love, can be a battlefield, but Pat Benatar stands victorious.

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The post Pat Benatar Then and Now: 40 Years of Her Rocking Life from 1980 to 2020 appeared first on DoYouRemember? – The Home of Nostalgia. Author, Ed Gross

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An Episode Of ‘Maude’ Tackled One Of America’s Most Controversial Subjects

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In the early 70s, abortion was one of the most controversial subjects around. The country was on the precipice of Roe vs. Wade, which ruled to protect women’s abortion rights in 1973. Before this could occur, however, the Bea Arthur sitcom Maude boldly took on this polarizing topic.

Maude, created by Norman Lear was a spinoff of his wildly popular sitcom All In The Family. Even before the show tackled abortion, Maude pushed the envelope. The main character and show’s namesake was loud and wild, the antithesis of idyllic TV housewives like Donna Reed and Harriet Nelson. The incentive for Lear to tackle the subject of abortion came from a group called “Zero Population Growth.”

“Maude’s Dilemma”

“Zero Population Growth” was, according to the producer of Maude, Rod Parker, offering a “$10,000 prize for comedies that had something to do with controlling population.” Many comedy shows chose vasectomies as their avenue, but not Maude.

RELATED: The Real Reason Bea Arthur Walked Away From ‘The Golden Girls’ 

No, the already envelope-pushing series took it one step further. In a two-part episode titled “Maude’s Dilemma”, the 47-year-old Maude unexpectedly becomes pregnant. After grappling with her choices, Maude finally decides to terminate the pregnancy.

Cold Feet And Backlash

At the last minute, CBS executives refused to pay to tape the “Maude’s Dilemma” episodes. So, Lear told them that if they didn’t, CBS would have to find another show to fill the time slot. The episodes finally aired to huge ratings and plenty of backlash. Bea Arthur remembered “The amount of mail was incredible. I can`t call it hate mail, although there were a few that said, ‘Die, die,’ but most were intelligent people who were deeply offended, and very emotional about it.”

It was to be expected that the millions of Americans who saw the episode would have strong feelings about it. Although Lear fought to air the episode, his goal wasn’t to make people angry. Rather he wanted to get viewers thinking and feeling. “I enjoy stirring feelings,” he said, “even negative feelings because I think that is what theatre is about.” Maude certainly achieved this goal.

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The post An Episode Of ‘Maude’ Tackled One Of America’s Most Controversial Subjects appeared first on DoYouRemember? – The Home of Nostalgia. Author, Erica Scassellati

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New Book On Jimi Hendrix Addresses Misconceptions About His Mysterious Death

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Jimi Hendrix has long been lumped together with other popular musicians such as Jim Morrison and Janis Joplin who died at the young age of 27. Members of the 27 Club are often associated with dangerous lifestyles and abuse of drugs and alcohol. Although we mourn their tragic deaths, there is a stigma surrounding these famous people.

Philip Norman, author of the new book, “Wild Thing: The Short Spellbinding Life Of Jimi Hendrix” challenges the notion that Hendrix caused his own death through substance abuse.“He was 27 and a rock star, so it was just assumed that he drunk and drugged himself to death, like the other members of the 27 Club have done,” Norman stated. The truth is a little more complicated.

Vulnerability And Exhaustion

The Rolling Stone reported that Hendrix passed away in 1970 after taking nine sleeping pills and choking on his own vomit. A “suicide note” was also mentioned, which turned out to be a poem several pages long. Rather than wanting to harm himself, it seemed that Hendrix just desperately needed some rest.  “He was so exhausted after working so hard in the previous four years, achieving incredible fame in Britain, then the rest of Europe, and finally back in America where he originally couldn’t succeed due to segregation,” Norman continued.

RELATED: Why Billie Holiday Was Targeted For Her Drug Addiction 

Hendrix worked himself ragged and no one was making sure he was healthy. After returning from another exhausting tour, Norman explained that he “fell into the clutches of a young German woman named Monika Dannemann.” He alleged that this woman and Hendrix had a casual sexual relationship. This led Hendrix to the Samarkand Hotel in London where Danneman was staying.

Hendrix Death At The Samarkand Hotel

Norman discussed in his book that Danneman claimed Hendrix asked her for something to help him sleep. “She gave him a very powerful sleeping tablet called Vesperax. Each tablet was really a double dose that had to be broken in half,” he stated. The next morning she claimed to have found a ten-tablet pack of Vesperax that seemingly had nine pills removed. However, Danneman was reluctant to call an ambulance because there were drugs in the hotel room.

Danneman was on the phone with a mutual friend, Alvinia Bridges, trying to get Hendrix’s doctor’s phone number. Then Hendrix started to vomit and choke. “I screamed and said, ‘Turn him over, turn him over,” Bridges recalled to the U.K.’s Daily Mail. “But obviously she was panicking and she didn’t turn him over.” By the time Hendrix was taken to a hospital, it was already far too late. In his book, Norman hammers home Hendrix’s vulnerability and the crushing fatigue of his music career. Most importantly he stated that Hendrix’s tragic death was, “A totally avoidable accident.”

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The post New Book On Jimi Hendrix Addresses Misconceptions About His Mysterious Death appeared first on DoYouRemember? – The Home of Nostalgia. Author, Erica Scassellati

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